"Winning is strictly prohibited" : o strategiach twórczych Banksy'ego i Jana Klaty

2020
journal article
article
cris.lastimport.wos2024-04-09T18:40:22Z
dc.abstract.enThe paper analyzes the activities of two socially committed artists: Banksy and Jan Klata, who both use the funfair motif. Banksy employs it in a literal though subversive way in his project Dismaland, which is a quizzical reversal of Disneyland. Klata employs it in his performances (which often take the form of the director's comments on the reality that surrounds us), showing a set of "amusements" resembling those from a funfair and leading the viewer to a perceptive dissonance (similarly to the collection of Eisenstein's amusements). It seems that the space created by the committed art that uses the concept of a funfair allows for the implementation of a real rebellion against the status quo. Actual amusement parks, however, create only an illusion of the possibility to break with the norms of the social system.pl
dc.affiliationWydział Zarządzania i Komunikacji Społecznej : Katedra Lingwistyki Komputerowejpl
dc.contributor.authorLubaszewska, Michalina - 106230 pl
dc.date.accession2020-11-20pl
dc.date.accessioned2020-11-30T17:16:22Z
dc.date.available2020-11-30T17:16:22Z
dc.date.issued2020pl
dc.date.openaccess0
dc.description.accesstimew momencie opublikowania
dc.description.additionalBibliogr. s. 11-12pl
dc.description.number2 (16)pl
dc.description.physical1-12pl
dc.description.publication0,85pl
dc.description.versionostateczna wersja wydawcy
dc.identifier.doi10.31261/SSP.2020.16.07pl
dc.identifier.eissn2353-0928pl
dc.identifier.issn2084-0772pl
dc.identifier.projectROD UJ / OPpl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/255264
dc.identifier.weblinkhttps://journals.us.edu.pl/index.php/SSP/article/view/10125pl
dc.languagepolpl
dc.language.containerpolpl
dc.rightsUdzielam licencji. Uznanie autorstwa - Na tych samych warunkach 4.0 Międzynarodowa*
dc.rights.licenceCC-BY-SA
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/legalcode.pl*
dc.share.typeotwarte czasopismo
dc.subject.enfunfairpl
dc.subject.ensubversionpl
dc.subject.enludicpl
dc.subject.enBanksypl
dc.subject.enJan Klatapl
dc.subtypeArticlepl
dc.title"Winning is strictly prohibited" : o strategiach twórczych Banksy'ego i Jana Klatypl
dc.title.alternative"Winning is strictly prohibited" : on Banksy's and Jana Klata's creative strategiespl
dc.title.journalŚląskie Studia Polonistycznepl
dc.title.volumeZaangażowanie i rewolucje : prezentacje : Ananda Devipl
dc.typeJournalArticlepl
dspace.entity.typePublication
cris.lastimport.wos
2024-04-09T18:40:22Z
dc.abstract.enpl
The paper analyzes the activities of two socially committed artists: Banksy and Jan Klata, who both use the funfair motif. Banksy employs it in a literal though subversive way in his project Dismaland, which is a quizzical reversal of Disneyland. Klata employs it in his performances (which often take the form of the director's comments on the reality that surrounds us), showing a set of "amusements" resembling those from a funfair and leading the viewer to a perceptive dissonance (similarly to the collection of Eisenstein's amusements). It seems that the space created by the committed art that uses the concept of a funfair allows for the implementation of a real rebellion against the status quo. Actual amusement parks, however, create only an illusion of the possibility to break with the norms of the social system.
dc.affiliationpl
Wydział Zarządzania i Komunikacji Społecznej : Katedra Lingwistyki Komputerowej
dc.contributor.authorpl
Lubaszewska, Michalina - 106230
dc.date.accessionpl
2020-11-20
dc.date.accessioned
2020-11-30T17:16:22Z
dc.date.available
2020-11-30T17:16:22Z
dc.date.issuedpl
2020
dc.date.openaccess
0
dc.description.accesstime
w momencie opublikowania
dc.description.additionalpl
Bibliogr. s. 11-12
dc.description.numberpl
2 (16)
dc.description.physicalpl
1-12
dc.description.publicationpl
0,85
dc.description.version
ostateczna wersja wydawcy
dc.identifier.doipl
10.31261/SSP.2020.16.07
dc.identifier.eissnpl
2353-0928
dc.identifier.issnpl
2084-0772
dc.identifier.projectpl
ROD UJ / OP
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/255264
dc.identifier.weblinkpl
https://journals.us.edu.pl/index.php/SSP/article/view/10125
dc.languagepl
pol
dc.language.containerpl
pol
dc.rights*
Udzielam licencji. Uznanie autorstwa - Na tych samych warunkach 4.0 Międzynarodowa
dc.rights.licence
CC-BY-SA
dc.rights.uri*
http://creativecommons.org/licenses/by-sa/4.0/legalcode.pl
dc.share.type
otwarte czasopismo
dc.subject.enpl
funfair
dc.subject.enpl
subversion
dc.subject.enpl
ludic
dc.subject.enpl
Banksy
dc.subject.enpl
Jan Klata
dc.subtypepl
Article
dc.titlepl
"Winning is strictly prohibited" : o strategiach twórczych Banksy'ego i Jana Klaty
dc.title.alternativepl
"Winning is strictly prohibited" : on Banksy's and Jana Klata's creative strategies
dc.title.journalpl
Śląskie Studia Polonistyczne
dc.title.volumepl
Zaangażowanie i rewolucje : prezentacje : Ananda Devi
dc.typepl
JournalArticle
dspace.entity.type
Publication

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