"New" Cello Concertos by Nicola Porpora

2020
journal article
article
dc.abstract.enThe instrumental output of Nicola Porpora has not aroused great interest among re-searchers. For this reason, even the lists of his works in the most important musical dictionaries are incomplete. However, his instrumental works enjoyed considerable interest during the composer’s lifetime and even after his death. The purpose of this article is to draw attention to Porpora’s cello concertos. A closer analysis of previously known sources allows us to increase the number of such concertos by five pieces. Four of them have so far been considered to be trio sonatas, one has been preserved incom-pletely as an anonymous piece in the Library of Conservatorio di San Pietro a Majella (I-Nc, M.S. 84/5–8). These seven cello concertos, also known in sources as sonatas or sinfonias, were written when very similar pieces were created in Naples by Nicola Fiorenza, Leonardo Leo, Giuseppe de Majo and Nicola Sabatino. Although Porpora was already active in Venice and London at that time, he most likely wrote these works with the courts of Neapolitan aristocrats in mind - the Viceroy Aloys Thomas von Harrach, the Duke of Maddaloni and the Marquis De Simone.pl
dc.affiliationWydział Historyczny : Instytut Muzykologiipl
dc.contributor.authorWilk, Piotr - 102865 pl
dc.contributor.institutionUniwersytet Jagiellońskipl
dc.date.accession2020-01-26pl
dc.date.accessioned2021-02-15T15:23:14Z
dc.date.available2021-02-15T15:23:14Z
dc.date.issued2020pl
dc.date.openaccess12
dc.description.accesstimepo opublikowaniu
dc.description.physical5-36pl
dc.description.publication1,1pl
dc.description.versionostateczna wersja wydawcy
dc.description.volume11pl
dc.identifier.eissn2545-0360pl
dc.identifier.issn1233-9679pl
dc.identifier.projectROD UJ / OPpl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/264897
dc.identifier.weblinkhttps://muzykologia.uj.edu.pl/documents/6464892/146992007/01Wilk.pdf/cf2caae7-7f4f-41ef-9230-148e094b6d2epl
dc.languageengpl
dc.language.containerengpl
dc.pbn.affiliationDziedzina nauk humanistycznych : nauki o sztucepl
dc.rightsUdzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa*
dc.rights.licenceCC-BY-NC-ND
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl*
dc.share.typeotwarte repozytorium
dc.subject.enNicola Porporapl
dc.subject.enGiovanni Battista Costanzipl
dc.subject.enDomenico Porrettipl
dc.subject.enJohn Walshpl
dc.subject.encello concertopl
dc.subject.enattributionpl
dc.subtypeArticlepl
dc.title"New" Cello Concertos by Nicola Porporapl
dc.title.journalMusica Iagellonicapl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The instrumental output of Nicola Porpora has not aroused great interest among re-searchers. For this reason, even the lists of his works in the most important musical dictionaries are incomplete. However, his instrumental works enjoyed considerable interest during the composer’s lifetime and even after his death. The purpose of this article is to draw attention to Porpora’s cello concertos. A closer analysis of previously known sources allows us to increase the number of such concertos by five pieces. Four of them have so far been considered to be trio sonatas, one has been preserved incom-pletely as an anonymous piece in the Library of Conservatorio di San Pietro a Majella (I-Nc, M.S. 84/5–8). These seven cello concertos, also known in sources as sonatas or sinfonias, were written when very similar pieces were created in Naples by Nicola Fiorenza, Leonardo Leo, Giuseppe de Majo and Nicola Sabatino. Although Porpora was already active in Venice and London at that time, he most likely wrote these works with the courts of Neapolitan aristocrats in mind - the Viceroy Aloys Thomas von Harrach, the Duke of Maddaloni and the Marquis De Simone.
dc.affiliationpl
Wydział Historyczny : Instytut Muzykologii
dc.contributor.authorpl
Wilk, Piotr - 102865
dc.contributor.institutionpl
Uniwersytet Jagielloński
dc.date.accessionpl
2020-01-26
dc.date.accessioned
2021-02-15T15:23:14Z
dc.date.available
2021-02-15T15:23:14Z
dc.date.issuedpl
2020
dc.date.openaccess
12
dc.description.accesstime
po opublikowaniu
dc.description.physicalpl
5-36
dc.description.publicationpl
1,1
dc.description.version
ostateczna wersja wydawcy
dc.description.volumepl
11
dc.identifier.eissnpl
2545-0360
dc.identifier.issnpl
1233-9679
dc.identifier.projectpl
ROD UJ / OP
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/264897
dc.identifier.weblinkpl
https://muzykologia.uj.edu.pl/documents/6464892/146992007/01Wilk.pdf/cf2caae7-7f4f-41ef-9230-148e094b6d2e
dc.languagepl
eng
dc.language.containerpl
eng
dc.pbn.affiliationpl
Dziedzina nauk humanistycznych : nauki o sztuce
dc.rights*
Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 Międzynarodowa
dc.rights.licence
CC-BY-NC-ND
dc.rights.uri*
http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.pl
dc.share.type
otwarte repozytorium
dc.subject.enpl
Nicola Porpora
dc.subject.enpl
Giovanni Battista Costanzi
dc.subject.enpl
Domenico Porretti
dc.subject.enpl
John Walsh
dc.subject.enpl
cello concerto
dc.subject.enpl
attribution
dc.subtypepl
Article
dc.titlepl
"New" Cello Concertos by Nicola Porpora
dc.title.journalpl
Musica Iagellonica
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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