Starożytne źródła koncepcji muzyki sfer w XII w.

2012
journal article
article
dc.abstract.enThe theory of "music of the spheres" (musicamundana) introduced by Boethius in his treaty De institutione musica is an original contribution in development of mediaeval theory of music. However, it’s roots trace back to the Greek antiquity. When considering the sources of medieval theory of musicamundana, one shall underline three most important sources: (1) mythology with its complex cosmogony (esp. by Homer and Hesiod), (2) early cosmology by pre-Socratic philosophers (incl. Anaximander, Heraclit), (3) Pythagorean school. Despite of the fact that idea of the music of the spheres - as presented by the Pythagoreans – was criticized by Aristotle in his De caelo, it became one of the most infl uential cosmological concept. One of the most important periods - from the point of view of the reception of discussed theory - is the twelfth century. It is often called the aetas Boethiana as it is distinguished by an increased interest in the works of Boethius, with special emphasis on his theological writings and Consolatio, which was very popular at the time. The reason behind this phenomenon was a growing specialization of issues relating to the theory of music, which fi nally led to its independence from the other areas of knowledge; yet this is not the only reason why the subject of the harmony of the spheres was again widely discussed in philosophical circles. An essential factor was the development of Neo-platonic philosophical schools, such as the famous School of Chartres. The interest in natural sciences in the School of Chartres and later in the Oxford School made the scientists of the time focus on the works of authors whose ideas were essential to the concept of the harmony of the spheres, among them such philosophers as Calcidius, Macrobius and Boethius.pl
dc.affiliationWydział Historycznypl
dc.contributor.authorKonik, Marcin - 111555 pl
dc.date.accession2019-11-25pl
dc.date.accessioned2019-11-25T06:40:13Z
dc.date.available2019-11-25T06:40:13Z
dc.date.issued2012pl
dc.date.openaccess0
dc.description.accesstimew momencie opublikowania
dc.description.number1pl
dc.description.physical125-140pl
dc.description.versionostateczna wersja wydawcy
dc.description.volume12pl
dc.identifier.eissn2451-0858pl
dc.identifier.issn1643-8299pl
dc.identifier.projectROD UJ / OPpl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/87772
dc.identifier.weblinkhttp://hdl.handle.net/11315/25057pl
dc.languagepolpl
dc.language.containerpolpl
dc.rightsUdzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 3.0 Polska*
dc.rights.licenceCC-BY-NC-ND
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/legalcode*
dc.share.typeotwarte repozytorium
dc.subject.enharmony of the spherespl
dc.subject.enmedieval philosophypl
dc.subject.encosmologypl
dc.subject.enmusic theorypl
dc.subject.enBoethiuspl
dc.subtypeArticlepl
dc.titleStarożytne źródła koncepcji muzyki sfer w XII w.pl
dc.title.alternativeThe Ancient roots of 12th century theory of music of the spherespl
dc.title.journalPaństwo i Społeczeństwopl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The theory of "music of the spheres" (musicamundana) introduced by Boethius in his treaty De institutione musica is an original contribution in development of mediaeval theory of music. However, it’s roots trace back to the Greek antiquity. When considering the sources of medieval theory of musicamundana, one shall underline three most important sources: (1) mythology with its complex cosmogony (esp. by Homer and Hesiod), (2) early cosmology by pre-Socratic philosophers (incl. Anaximander, Heraclit), (3) Pythagorean school. Despite of the fact that idea of the music of the spheres - as presented by the Pythagoreans – was criticized by Aristotle in his De caelo, it became one of the most infl uential cosmological concept. One of the most important periods - from the point of view of the reception of discussed theory - is the twelfth century. It is often called the aetas Boethiana as it is distinguished by an increased interest in the works of Boethius, with special emphasis on his theological writings and Consolatio, which was very popular at the time. The reason behind this phenomenon was a growing specialization of issues relating to the theory of music, which fi nally led to its independence from the other areas of knowledge; yet this is not the only reason why the subject of the harmony of the spheres was again widely discussed in philosophical circles. An essential factor was the development of Neo-platonic philosophical schools, such as the famous School of Chartres. The interest in natural sciences in the School of Chartres and later in the Oxford School made the scientists of the time focus on the works of authors whose ideas were essential to the concept of the harmony of the spheres, among them such philosophers as Calcidius, Macrobius and Boethius.
dc.affiliationpl
Wydział Historyczny
dc.contributor.authorpl
Konik, Marcin - 111555
dc.date.accessionpl
2019-11-25
dc.date.accessioned
2019-11-25T06:40:13Z
dc.date.available
2019-11-25T06:40:13Z
dc.date.issuedpl
2012
dc.date.openaccess
0
dc.description.accesstime
w momencie opublikowania
dc.description.numberpl
1
dc.description.physicalpl
125-140
dc.description.version
ostateczna wersja wydawcy
dc.description.volumepl
12
dc.identifier.eissnpl
2451-0858
dc.identifier.issnpl
1643-8299
dc.identifier.projectpl
ROD UJ / OP
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/87772
dc.identifier.weblinkpl
http://hdl.handle.net/11315/25057
dc.languagepl
pol
dc.language.containerpl
pol
dc.rights*
Udzielam licencji. Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 3.0 Polska
dc.rights.licence
CC-BY-NC-ND
dc.rights.uri*
http://creativecommons.org/licenses/by-nc-nd/3.0/pl/legalcode
dc.share.type
otwarte repozytorium
dc.subject.enpl
harmony of the spheres
dc.subject.enpl
medieval philosophy
dc.subject.enpl
cosmology
dc.subject.enpl
music theory
dc.subject.enpl
Boethius
dc.subtypepl
Article
dc.titlepl
Starożytne źródła koncepcji muzyki sfer w XII w.
dc.title.alternativepl
The Ancient roots of 12th century theory of music of the spheres
dc.title.journalpl
Państwo i Społeczeństwo
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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