"Méwilo" i "Freedom" Muriel Tramis jako pierwsze gry postkolonialne

2018
book section
article
dc.abstract.enIn the chapter entitled "Muriel Tramis' »Méwilo« and »Freedom« as the First Postcolonial Games", Filip Jankowski examines two digital games accomplished by Muriel Tramis, a game designer from Martinique. The games picture the situation of African-Caribbean slaves and their descendants in a pioneering manner in terms of the medium used. “Méwilo” (1987) and “Fredom” (1988) were created under the influence of the philosophical thought in Martinique, shaped by the pioneers of postcolonialism such as Aimé Césaire and Frantz Fanon, as well as their critics impersonated by Édouard Glissant and Patrick Chamoiseau. Both games differ in terms of applied convention. “Méwilo”, which is a thorough documentary game, focuses on questioning the following inhabitants of the city of Saint-Pierre, the day before the devastating eruption of the Montagne Pelée volcano in 1902. The opposition between the black inhabitants of Martinique and their metropolitan torturers, although strongly outlined, is subject to problematization in both games. Among the main characters of the Tramis' works are black anti-heroes who imitate the French in their ambivalent attitude to the African-Caribbean community. Hence, they reflect the phenomenon of mimicry described by Homi Bhabha. All things considered, Jankowski argues both games to feature apparent postcolonial themes.pl
dc.affiliationWydział Zarządzania i Komunikacji Społecznejpl
dc.contributor.authorJankowski, Filip - 233254 pl
dc.contributor.editorOlkusz, Kseniapl
dc.contributor.editorMaj, Krzysztof - 162989 pl
dc.date.accession2018-10-31pl
dc.date.accessioned2018-11-05T13:47:01Z
dc.date.available2018-11-05T13:47:01Z
dc.date.issued2018pl
dc.date.openaccess0
dc.description.accesstimew momencie opublikowania
dc.description.physical473-485pl
dc.description.points8pl
dc.description.publication0,59pl
dc.description.seriesPerspektywy Ponowoczesności
dc.description.seriesnumber6
dc.description.versionostateczna wersja wydawcy
dc.identifier.isbn978-83-948889-0-9pl
dc.identifier.projectROD UJ / OPpl
dc.identifier.urihttps://ruj.uj.edu.pl/xmlui/handle/item/59374
dc.identifier.weblinkhttps://factaficta.files.wordpress.com/2018/08/ksenologie.pdfpl
dc.languagepolpl
dc.language.containerpolpl
dc.pubinfoKraków : Ośrodek Badawczy Facta Fictapl
dc.rightsUdzielam licencji. Uznanie autorstwa 4.0 Międzynarodowa*
dc.rights.licenceCC-BY
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/legalcode.pl*
dc.share.typeinne
dc.sourceinfoliczba autorów 26; liczba stron 496; liczba arkuszy wydawniczych 31;pl
dc.subject.enpostcolonialismpl
dc.subject.enslaverypl
dc.subject.enMuriel Tramispl
dc.subject.enPatrick Chamoiseaupl
dc.subject.endigital gamespl
dc.subject.envideo gamespl
dc.subject.enMartiniquepl
dc.subject.enFrench Antillespl
dc.subtypeArticlepl
dc.title"Méwilo" i "Freedom" Muriel Tramis jako pierwsze gry postkolonialnepl
dc.title.alternativeMuriel Tramis' "Méwilo" and "Freedom" as the first postcolonial gamespl
dc.title.containerKsenologiepl
dc.typeBookSectionpl
dspace.entity.typePublication
dc.abstract.enpl
In the chapter entitled "Muriel Tramis' »Méwilo« and »Freedom« as the First Postcolonial Games", Filip Jankowski examines two digital games accomplished by Muriel Tramis, a game designer from Martinique. The games picture the situation of African-Caribbean slaves and their descendants in a pioneering manner in terms of the medium used. “Méwilo” (1987) and “Fredom” (1988) were created under the influence of the philosophical thought in Martinique, shaped by the pioneers of postcolonialism such as Aimé Césaire and Frantz Fanon, as well as their critics impersonated by Édouard Glissant and Patrick Chamoiseau. Both games differ in terms of applied convention. “Méwilo”, which is a thorough documentary game, focuses on questioning the following inhabitants of the city of Saint-Pierre, the day before the devastating eruption of the Montagne Pelée volcano in 1902. The opposition between the black inhabitants of Martinique and their metropolitan torturers, although strongly outlined, is subject to problematization in both games. Among the main characters of the Tramis' works are black anti-heroes who imitate the French in their ambivalent attitude to the African-Caribbean community. Hence, they reflect the phenomenon of mimicry described by Homi Bhabha. All things considered, Jankowski argues both games to feature apparent postcolonial themes.
dc.affiliationpl
Wydział Zarządzania i Komunikacji Społecznej
dc.contributor.authorpl
Jankowski, Filip - 233254
dc.contributor.editorpl
Olkusz, Ksenia
dc.contributor.editorpl
Maj, Krzysztof - 162989
dc.date.accessionpl
2018-10-31
dc.date.accessioned
2018-11-05T13:47:01Z
dc.date.available
2018-11-05T13:47:01Z
dc.date.issuedpl
2018
dc.date.openaccess
0
dc.description.accesstime
w momencie opublikowania
dc.description.physicalpl
473-485
dc.description.pointspl
8
dc.description.publicationpl
0,59
dc.description.series
Perspektywy Ponowoczesności
dc.description.seriesnumber
6
dc.description.version
ostateczna wersja wydawcy
dc.identifier.isbnpl
978-83-948889-0-9
dc.identifier.projectpl
ROD UJ / OP
dc.identifier.uri
https://ruj.uj.edu.pl/xmlui/handle/item/59374
dc.identifier.weblinkpl
https://factaficta.files.wordpress.com/2018/08/ksenologie.pdf
dc.languagepl
pol
dc.language.containerpl
pol
dc.pubinfopl
Kraków : Ośrodek Badawczy Facta Ficta
dc.rights*
Udzielam licencji. Uznanie autorstwa 4.0 Międzynarodowa
dc.rights.licence
CC-BY
dc.rights.uri*
http://creativecommons.org/licenses/by/4.0/legalcode.pl
dc.share.type
inne
dc.sourceinfopl
liczba autorów 26; liczba stron 496; liczba arkuszy wydawniczych 31;
dc.subject.enpl
postcolonialism
dc.subject.enpl
slavery
dc.subject.enpl
Muriel Tramis
dc.subject.enpl
Patrick Chamoiseau
dc.subject.enpl
digital games
dc.subject.enpl
video games
dc.subject.enpl
Martinique
dc.subject.enpl
French Antilles
dc.subtypepl
Article
dc.titlepl
"Méwilo" i "Freedom" Muriel Tramis jako pierwsze gry postkolonialne
dc.title.alternativepl
Muriel Tramis' "Méwilo" and "Freedom" as the first postcolonial games
dc.title.containerpl
Ksenologie
dc.typepl
BookSection
dspace.entity.type
Publication

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