The "Fantasie" of Mikołaj Zieleński and the Early Baroque tradition of diminution and ensemble instrumental music

2015
book section
conference proceedings
dc.abstract.enContrary to the common opinion of scholars, the comparison of Zieleński’s fantasias with Italian diminution manuals and ensemble instrumental music from the turn of the 17th century shows that the works in question should not be perceived as ricercar-like pieces still rooted in the tradition of the 16th century. The pieces give evidence of the composer’s familiarity with the latest Baroque tendencies present in ensemble music of his time, as demonstrated in the emancipation of the melody in his works from vocal patterns. As for the level of proficiency of the instrumental language, the fantasias by Zieleński are regarded as more advanced compared to the chamber music by well-acclaimed instrumentalists of the era, such as Gabrieli or Frescobaldi.pl
dc.affiliationWydział Historyczny : Instytut Muzykologiipl
dc.conferenceCentral-Eastern Europe versus the Italian musica moderna. Reception, adaptation, integration. International musicological conference on the occasion of the 400th anniversary of the publication of Offertoria and Communiones by Mikołaj Zieleński (Venice, 1611)pl
dc.conference.cityWarszawa
dc.conference.countryPolska
dc.conference.datefinish2011-10-15
dc.conference.datestart2011-10-12
dc.contributor.authorWilk, Piotr - 102865 pl
dc.contributor.editorJeż, Tomaszpl
dc.contributor.editorPrzybyszewska-Jarmińska, Barbarapl
dc.contributor.editorToffetti, Marinapl
dc.date.accession2016-12-10pl
dc.date.accessioned2016-07-13T06:37:31Z
dc.date.available2016-07-13T06:37:31Z
dc.date.issued2015pl
dc.date.openaccess0
dc.description.accesstimew momencie opublikowania
dc.description.conftypeinternationalpl
dc.description.physical261-278pl
dc.description.publication0,9pl
dc.description.seriesTRA.DI.MUS. Studi e Monografie
dc.description.seriesnumber2
dc.description.versionostateczna wersja wydawcy
dc.identifier.isbn978-88-7552-057-1pl
dc.identifier.urihttp://ruj.uj.edu.pl/xmlui/handle/item/28992
dc.identifier.weblinkhttp://www.fondazionelevi.it/wp-content/uploads/2016/09/Italian_Music_in_Central_Europe.pdfpl
dc.languageengpl
dc.language.containeritapl
dc.pubinfoVenezia : Edizioni Fondazione Levipl
dc.rightsDodaję tylko opis bibliograficzny*
dc.rights.licenceOTHER
dc.rights.uri*
dc.share.typeinne
dc.subject.enMikołaj Zieleńskipl
dc.subject.enfantasiapl
dc.subtypeConferenceProceedingspl
dc.titleThe "Fantasie" of Mikołaj Zieleński and the Early Baroque tradition of diminution and ensemble instrumental musicpl
dc.title.containerItalian music in Central-Eastern Europe : around Mikołaj Zieleński’s "Offertoria" and "Communiones" (1611)pl
dc.typeBookSectionpl
dspace.entity.typePublication
dc.abstract.enpl
Contrary to the common opinion of scholars, the comparison of Zieleński’s fantasias with Italian diminution manuals and ensemble instrumental music from the turn of the 17th century shows that the works in question should not be perceived as ricercar-like pieces still rooted in the tradition of the 16th century. The pieces give evidence of the composer’s familiarity with the latest Baroque tendencies present in ensemble music of his time, as demonstrated in the emancipation of the melody in his works from vocal patterns. As for the level of proficiency of the instrumental language, the fantasias by Zieleński are regarded as more advanced compared to the chamber music by well-acclaimed instrumentalists of the era, such as Gabrieli or Frescobaldi.
dc.affiliationpl
Wydział Historyczny : Instytut Muzykologii
dc.conferencepl
Central-Eastern Europe versus the Italian musica moderna. Reception, adaptation, integration. International musicological conference on the occasion of the 400th anniversary of the publication of Offertoria and Communiones by Mikołaj Zieleński (Venice, 1611)
dc.conference.city
Warszawa
dc.conference.country
Polska
dc.conference.datefinish
2011-10-15
dc.conference.datestart
2011-10-12
dc.contributor.authorpl
Wilk, Piotr - 102865
dc.contributor.editorpl
Jeż, Tomasz
dc.contributor.editorpl
Przybyszewska-Jarmińska, Barbara
dc.contributor.editorpl
Toffetti, Marina
dc.date.accessionpl
2016-12-10
dc.date.accessioned
2016-07-13T06:37:31Z
dc.date.available
2016-07-13T06:37:31Z
dc.date.issuedpl
2015
dc.date.openaccess
0
dc.description.accesstime
w momencie opublikowania
dc.description.conftypepl
international
dc.description.physicalpl
261-278
dc.description.publicationpl
0,9
dc.description.series
TRA.DI.MUS. Studi e Monografie
dc.description.seriesnumber
2
dc.description.version
ostateczna wersja wydawcy
dc.identifier.isbnpl
978-88-7552-057-1
dc.identifier.uri
http://ruj.uj.edu.pl/xmlui/handle/item/28992
dc.identifier.weblinkpl
http://www.fondazionelevi.it/wp-content/uploads/2016/09/Italian_Music_in_Central_Europe.pdf
dc.languagepl
eng
dc.language.containerpl
ita
dc.pubinfopl
Venezia : Edizioni Fondazione Levi
dc.rights*
Dodaję tylko opis bibliograficzny
dc.rights.licence
OTHER
dc.rights.uri*
dc.share.type
inne
dc.subject.enpl
Mikołaj Zieleński
dc.subject.enpl
fantasia
dc.subtypepl
ConferenceProceedings
dc.titlepl
The "Fantasie" of Mikołaj Zieleński and the Early Baroque tradition of diminution and ensemble instrumental music
dc.title.containerpl
Italian music in Central-Eastern Europe : around Mikołaj Zieleński’s "Offertoria" and "Communiones" (1611)
dc.typepl
BookSection
dspace.entity.type
Publication
Affiliations

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