Nietrwałość jako kategoria estetyczna w sztuce japońskiej

2013
journal article
article
dc.abstract.enThe main subject of the paper is impermanence (mujō) defined as the awareness of transience and sensitivity to what is fleeting. I assume that the term, taken from Buddhist philosophy, shapes a classic ideal of beauty in Japanese art. On the basis of the films by Yasujirō Ozu and Hirokazu Koreeda, I would like to show how this aesthetic category is still present in the Japanese cinema. The short analyses of Late Spring (1949) and Tokyo Story (1953) emphasize the references to the tradition by invoking the notions of wabi and sabi; whereas Koreeda’s works provide an example of particular minimalist aesthetics whose aim is to present what is authentic in art. Despite the differences between the two film directors, resulting from a different historical context, the films reveal a similar truth about people who may find happiness only when they realize that they are part of nature, in other words, when they are reconciled with the fragility of life.pl
dc.affiliationWydział Zarządzania i Komunikacji Społecznej : Instytut Sztuk Audiowizualnychpl
dc.contributor.authorLoska, Krzysztof - 101044 pl
dc.date.accession2020-07-20pl
dc.date.accessioned2014-09-25T11:15:20Z
dc.date.available2014-09-25T11:15:20Z
dc.date.issued2013pl
dc.date.openaccess0
dc.description.accesstimew momencie opublikowania
dc.description.physical103-116pl
dc.description.publication0,7pl
dc.description.seriesActa Universitatis Wratislaviensis
dc.description.seriesnumbernr 3481
dc.description.versionostateczna wersja wydawcy
dc.description.volume34pl
dc.identifier.isbn978-83-229-3373-2pl
dc.identifier.issn0860-116Xpl
dc.identifier.seriesissn0239-6661
dc.identifier.urihttp://ruj.uj.edu.pl/xmlui/handle/item/1323
dc.identifier.weblinkhttps://wuwr.pl/sf/article/view/1507pl
dc.languagepolpl
dc.language.containerpolpl
dc.rights.licenceOTHER
dc.share.typeotwarte czasopismo
dc.subtypeArticlepl
dc.titleNietrwałość jako kategoria estetyczna w sztuce japońskiejpl
dc.title.alternativeImpermanence as an aesthetic category in Japanese artpl
dc.title.journalStudia Filmoznawczepl
dc.title.volumePrzemijanie jako temat filmowypl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The main subject of the paper is impermanence (mujō) defined as the awareness of transience and sensitivity to what is fleeting. I assume that the term, taken from Buddhist philosophy, shapes a classic ideal of beauty in Japanese art. On the basis of the films by Yasujirō Ozu and Hirokazu Koreeda, I would like to show how this aesthetic category is still present in the Japanese cinema. The short analyses of Late Spring (1949) and Tokyo Story (1953) emphasize the references to the tradition by invoking the notions of wabi and sabi; whereas Koreeda’s works provide an example of particular minimalist aesthetics whose aim is to present what is authentic in art. Despite the differences between the two film directors, resulting from a different historical context, the films reveal a similar truth about people who may find happiness only when they realize that they are part of nature, in other words, when they are reconciled with the fragility of life.
dc.affiliationpl
Wydział Zarządzania i Komunikacji Społecznej : Instytut Sztuk Audiowizualnych
dc.contributor.authorpl
Loska, Krzysztof - 101044
dc.date.accessionpl
2020-07-20
dc.date.accessioned
2014-09-25T11:15:20Z
dc.date.available
2014-09-25T11:15:20Z
dc.date.issuedpl
2013
dc.date.openaccess
0
dc.description.accesstime
w momencie opublikowania
dc.description.physicalpl
103-116
dc.description.publicationpl
0,7
dc.description.series
Acta Universitatis Wratislaviensis
dc.description.seriesnumber
nr 3481
dc.description.version
ostateczna wersja wydawcy
dc.description.volumepl
34
dc.identifier.isbnpl
978-83-229-3373-2
dc.identifier.issnpl
0860-116X
dc.identifier.seriesissn
0239-6661
dc.identifier.uri
http://ruj.uj.edu.pl/xmlui/handle/item/1323
dc.identifier.weblinkpl
https://wuwr.pl/sf/article/view/1507
dc.languagepl
pol
dc.language.containerpl
pol
dc.rights.licence
OTHER
dc.share.type
otwarte czasopismo
dc.subtypepl
Article
dc.titlepl
Nietrwałość jako kategoria estetyczna w sztuce japońskiej
dc.title.alternativepl
Impermanence as an aesthetic category in Japanese art
dc.title.journalpl
Studia Filmoznawcze
dc.title.volumepl
Przemijanie jako temat filmowy
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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