In this article the author focuses on the so called "tactile epistemology" in postolonial studies - different cognitive and representational modes that enable create subversive narrations negotiating new relations between centre and margins. Affective, multisensory, synaesthetic body is an archive of power relations, an experience of colonization and - most of all - a discoursive transgression, reversing ideology based on the Western eye. The main goal of this article is to present three most influential theoretical stances connecting sensoria with the Other. The concepts of Laura U. Marks, Milena Marinkova, and Sara Ahmed are illustrated with the examples form Claire Denis’ and Urszula Antoniak’s oeuvre.