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"Parsifal" i granice parafrazowania tekstu operowego
2015
journal article
translation
Journal
Didaskalia
14
Alternative title
Parsifal and the limits of paraphrasing an opera libretto
Author
Jakubowa Natalia
Translator
Marszałek Agnieszka
Issue
127/128
Pages
151-154
ISSN
1233-0477
Access date
2017-07-05
Remarks
Dotyczy: Staatsoper im Schiller Theater w Berlinie. Richard Wagner, Parsifal, reżyseria i scenografia: Dmitrij Czerniakow, kostiumy: Jelena Zajcewa, światło: Gleb Filsztyński, dramaturgia: Jens Schrott, dyrygent: Daniel Barenboim, premiera: 28 marca 2015
Language
Polish
Container language
Polish
Abstract in English
A review of Parsifal directed by Dimitri Cherniakov at the Berlin Staatsoper (premiere: 28.03.2015). The creators have bypassed the historical/religious aspect of the work, despite the fact that the play's premiere took place in the Easter holiday season and the content of Richard Wagner's musical drama ties in with the story of the sacrifice and redemption of Christ. In this interpretation Parsifal is an outsider, a rebel who undermines the operatic pathos of the work. The reviewer notes that the focus of the opera has been shifted to the fate of Kundry - the apocryphal heroine of the tale, and one of the composer's sources of inspiration.
Affiliation
Wydział Polonistyki : Katedra Teatru i Dramatu
| dc.abstract.en | A review of Parsifal directed by Dimitri Cherniakov at the Berlin Staatsoper (premiere: 28.03.2015). The creators have bypassed the historical/religious aspect of the work, despite the fact that the play's premiere took place in the Easter holiday season and the content of Richard Wagner's musical drama ties in with the story of the sacrifice and redemption of Christ. In this interpretation Parsifal is an outsider, a rebel who undermines the operatic pathos of the work. The reviewer notes that the focus of the opera has been shifted to the fate of Kundry - the apocryphal heroine of the tale, and one of the composer's sources of inspiration. | pl |
| dc.affiliation | Wydział Polonistyki : Katedra Teatru i Dramatu | pl |
| dc.contributor.author | Jakubowa, Natalia | pl |
| dc.contributor.translator | Marszałek, Agnieszka - 130350 | pl |
| dc.date.accession | 2017-07-05 | pl |
| dc.date.accessioned | 2017-08-30T07:03:12Z | |
| dc.date.available | 2017-08-30T07:03:12Z | |
| dc.date.issued | 2015 | pl |
| dc.date.openaccess | 0 | |
| dc.description.accesstime | w momencie opublikowania | |
| dc.description.additional | Dotyczy: Staatsoper im Schiller Theater w Berlinie. Richard Wagner, Parsifal, reżyseria i scenografia: Dmitrij Czerniakow, kostiumy: Jelena Zajcewa, światło: Gleb Filsztyński, dramaturgia: Jens Schrott, dyrygent: Daniel Barenboim, premiera: 28 marca 2015 | pl |
| dc.description.number | 127/128 | pl |
| dc.description.physical | 151-154 | pl |
| dc.description.version | ostateczna wersja wydawcy | |
| dc.identifier.issn | 1233-0477 | pl |
| dc.identifier.uri | http://ruj.uj.edu.pl/xmlui/handle/item/43569 | |
| dc.identifier.weblink | http://www.didaskalia.pl/127_jakubowa.htm | pl |
| dc.language | pol | pl |
| dc.language.container | pol | pl |
| dc.rights | Dodaję tylko opis bibliograficzny | * |
| dc.rights.licence | OTHER | |
| dc.rights.uri | * | |
| dc.share.type | inne | |
| dc.subtype | Translation | pl |
| dc.title | "Parsifal" i granice parafrazowania tekstu operowego | pl |
| dc.title.alternative | Parsifal and the limits of paraphrasing an opera libretto | pl |
| dc.title.journal | Didaskalia | pl |
| dc.type | JournalArticle | pl |
| dspace.entity.type | Publication |
dc.abstract.enpl
A review of Parsifal directed by Dimitri Cherniakov at the Berlin Staatsoper (premiere: 28.03.2015). The creators have bypassed the historical/religious aspect of the work, despite the fact that the play's premiere took place in the Easter holiday season and the content of Richard Wagner's musical drama ties in with the story of the sacrifice and redemption of Christ. In this interpretation Parsifal is an outsider, a rebel who undermines the operatic pathos of the work. The reviewer notes that the focus of the opera has been shifted to the fate of Kundry - the apocryphal heroine of the tale, and one of the composer's sources of inspiration. dc.affiliationpl
Wydział Polonistyki : Katedra Teatru i Dramatu dc.contributor.authorpl
Jakubowa, Natalia dc.contributor.translatorpl
Marszałek, Agnieszka - 130350 dc.date.accessionpl
2017-07-05 dc.date.accessioned
2017-08-30T07:03:12Z dc.date.available
2017-08-30T07:03:12Z dc.date.issuedpl
2015 dc.date.openaccess
0 dc.description.accesstime
w momencie opublikowania dc.description.additionalpl
Dotyczy: Staatsoper im Schiller Theater w Berlinie. Richard Wagner, Parsifal, reżyseria i scenografia: Dmitrij Czerniakow, kostiumy: Jelena Zajcewa, światło: Gleb Filsztyński, dramaturgia: Jens Schrott, dyrygent: Daniel Barenboim, premiera: 28 marca 2015 dc.description.numberpl
127/128 dc.description.physicalpl
151-154 dc.description.version
ostateczna wersja wydawcy dc.identifier.issnpl
1233-0477 dc.identifier.uri
http://ruj.uj.edu.pl/xmlui/handle/item/43569 dc.identifier.weblinkpl
http://www.didaskalia.pl/127_jakubowa.htm dc.languagepl
pol dc.language.containerpl
pol dc.rights*
Dodaję tylko opis bibliograficzny dc.rights.licence
OTHER dc.rights.uri*
dc.share.type
inne dc.subtypepl
Translation dc.titlepl
"Parsifal" i granice parafrazowania tekstu operowego dc.title.alternativepl
Parsifal and the limits of paraphrasing an opera libretto dc.title.journalpl
Didaskalia dc.typepl
JournalArticle dspace.entity.type
Publication