Polityka tekstu : "Henryk VI" Williama Szekspira

2008
journal article
article
dc.abstract.enThe paper explores various aspects of Shakespeare's trilogy in pursuit of the complicated web of meanings of the term "politics" in the space between fiction (drama, theatre) and history (narratives that pretend to offer facts and their interpretation). The trilogy is presented as a set of dramatic texts which together form a continuum, yet each play has a separate, well defined profile; the texts are seen as oscillating between the genres of tragedy and history, and the implications of such "politics of the text" are discussed. A detailed analysis of the three parts of Henry VI discovers specific ambiguities of the dramatic narratives which allows for the varied, if not suspect, politics of their theatrical interpretations. In the last resort the politics of the text discovers the politics of reception; Shakespeare's manipulation of history turned fiction turned a lesson-in-history discovers the field of possible manipulations of critical and theatrical reception.pl
dc.affiliationWydział Filologiczny : Instytut Filologii Angielskiejpl
dc.contributor.authorGibińska-Marzec, Marta - 128049 pl
dc.date.accessioned2017-08-01T07:10:22Z
dc.date.available2017-08-01T07:10:22Z
dc.date.issued2008pl
dc.description.additionalBibliogr. w przypisach. Streszcz. w jęz. ang. s. 25-26.pl
dc.description.physical7-26pl
dc.description.volume7pl
dc.identifier.issn1731-8491pl
dc.identifier.urihttp://ruj.uj.edu.pl/xmlui/handle/item/43670
dc.languagepolpl
dc.language.containerpolpl
dc.rights.licencebez licencji
dc.subtypeArticlepl
dc.titlePolityka tekstu : "Henryk VI" Williama Szekspirapl
dc.title.alternativeThe politics of the text : "Henry VI" by William Shakespearepl
dc.title.journalPrace Komisji Neofilologicznej PAUpl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The paper explores various aspects of Shakespeare's trilogy in pursuit of the complicated web of meanings of the term "politics" in the space between fiction (drama, theatre) and history (narratives that pretend to offer facts and their interpretation). The trilogy is presented as a set of dramatic texts which together form a continuum, yet each play has a separate, well defined profile; the texts are seen as oscillating between the genres of tragedy and history, and the implications of such "politics of the text" are discussed. A detailed analysis of the three parts of Henry VI discovers specific ambiguities of the dramatic narratives which allows for the varied, if not suspect, politics of their theatrical interpretations. In the last resort the politics of the text discovers the politics of reception; Shakespeare's manipulation of history turned fiction turned a lesson-in-history discovers the field of possible manipulations of critical and theatrical reception.
dc.affiliationpl
Wydział Filologiczny : Instytut Filologii Angielskiej
dc.contributor.authorpl
Gibińska-Marzec, Marta - 128049
dc.date.accessioned
2017-08-01T07:10:22Z
dc.date.available
2017-08-01T07:10:22Z
dc.date.issuedpl
2008
dc.description.additionalpl
Bibliogr. w przypisach. Streszcz. w jęz. ang. s. 25-26.
dc.description.physicalpl
7-26
dc.description.volumepl
7
dc.identifier.issnpl
1731-8491
dc.identifier.uri
http://ruj.uj.edu.pl/xmlui/handle/item/43670
dc.languagepl
pol
dc.language.containerpl
pol
dc.rights.licence
bez licencji
dc.subtypepl
Article
dc.titlepl
Polityka tekstu : "Henryk VI" Williama Szekspira
dc.title.alternativepl
The politics of the text : "Henry VI" by William Shakespeare
dc.title.journalpl
Prace Komisji Neofilologicznej PAU
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

* The migration of download and view statistics prior to the date of April 8, 2024 is in progress.

Views
0
Views per month

No access

No Thumbnail Available