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Wiedeń patrzy na Wschód
2017
journal article
translation
Journal
Didaskalia
Alternative title
Vienna looks East
Author
Jakubowa Natalia
Number
137
Translator
Marszałek Agnieszka
Pages
24-28
ISSN
1233-0477
Keywords in English
Eiswind/Hideg szelek
Wo ist Osten? Monologue No. 1
Access date
2017-05-16
Language
Polish
Journal language
Polish
Abstract in English
Natalia Jakubowa writes about the Eiswind/Hideg szelek project by Árpád Schilling and Éva Zabezsinszkij (Burgtheater in Vienna, premiere: 25.05.2016). Jakubowa describes the performance’s structure, focusing on the expression of the most important theme: the complexities of Austro-Hungarian relations. The crucial female perspective in Eiswind/Hideg links this performance with Natalia Worozhbyt’s dramatic monologue Wo ist Osten? Monologue No. 1 / "де схід", shown in the framework of the Vienna Humanities Festival. A byproduct of Worozhbyt’s work on this documentary play about the Donetsk airport was an intimate record of the author’s feelings for a military leader she met there. Natalia Jakubowa calls Schilling’s play and the Ukrainian’s dramatic monologue important voices in problematizing how the East functions in the Western European discourse.
Affiliation
Wydział Polonistyki : Katedra Teatru i Dramatu
| dc.abstract.en | Natalia Jakubowa writes about the Eiswind/Hideg szelek project by Árpád Schilling and Éva Zabezsinszkij (Burgtheater in Vienna, premiere: 25.05.2016). Jakubowa describes the performance’s structure, focusing on the expression of the most important theme: the complexities of Austro-Hungarian relations. The crucial female perspective in Eiswind/Hideg links this performance with Natalia Worozhbyt’s dramatic monologue Wo ist Osten? Monologue No. 1 / "де схід", shown in the framework of the Vienna Humanities Festival. A byproduct of Worozhbyt’s work on this documentary play about the Donetsk airport was an intimate record of the author’s feelings for a military leader she met there. Natalia Jakubowa calls Schilling’s play and the Ukrainian’s dramatic monologue important voices in problematizing how the East functions in the Western European discourse. | pl |
| dc.affiliation | Wydział Polonistyki : Katedra Teatru i Dramatu | pl |
| dc.contributor.author | Jakubowa, Natalia | pl |
| dc.contributor.translator | Marszałek, Agnieszka - 130350 | pl |
| dc.date.accession | 2017-05-16 | pl |
| dc.date.accessioned | 2017-05-16T10:41:38Z | |
| dc.date.available | 2017-05-16T10:41:38Z | |
| dc.date.issued | 2017 | pl |
| dc.date.openaccess | 0 | |
| dc.description.accesstime | w momencie opublikowania | |
| dc.description.number | 137 | pl |
| dc.description.physical | 24-28 | pl |
| dc.description.version | ostateczna wersja wydawcy | |
| dc.identifier.issn | 1233-0477 | pl |
| dc.identifier.uri | http://ruj.uj.edu.pl/xmlui/handle/item/40553 | |
| dc.identifier.weblink | http://www.didaskalia.pl/137_jakubowa.htm | pl |
| dc.language | pol | pl |
| dc.language.container | pol | pl |
| dc.rights | Dodaję tylko opis bibliograficzny | * |
| dc.rights.licence | Inna otwarta licencja | |
| dc.rights.uri | * | |
| dc.share.type | inne | |
| dc.subject.en | Eiswind/Hideg szelek | pl |
| dc.subject.en | Wo ist Osten? Monologue No. 1 | pl |
| dc.subtype | Translation | pl |
| dc.title | Wiedeń patrzy na Wschód | pl |
| dc.title.alternative | Vienna looks East | pl |
| dc.title.journal | Didaskalia | pl |
| dc.type | JournalArticle | pl |
| dspace.entity.type | Publication |
dc.abstract.enpl
Natalia Jakubowa writes about the Eiswind/Hideg szelek project by Árpád Schilling and Éva Zabezsinszkij (Burgtheater in Vienna, premiere: 25.05.2016). Jakubowa describes the performance’s structure, focusing on the expression of the most important theme: the complexities of Austro-Hungarian relations. The crucial female perspective in Eiswind/Hideg links this performance with Natalia Worozhbyt’s dramatic monologue Wo ist Osten? Monologue No. 1 / "де схід", shown in the framework of the Vienna Humanities Festival. A byproduct of Worozhbyt’s work on this documentary play about the Donetsk airport was an intimate record of the author’s feelings for a military leader she met there. Natalia Jakubowa calls Schilling’s play and the Ukrainian’s dramatic monologue important voices in problematizing how the East functions in the Western European discourse. dc.affiliationpl
Wydział Polonistyki : Katedra Teatru i Dramatu dc.contributor.authorpl
Jakubowa, Natalia dc.contributor.translatorpl
Marszałek, Agnieszka - 130350 dc.date.accessionpl
2017-05-16 dc.date.accessioned
2017-05-16T10:41:38Z dc.date.available
2017-05-16T10:41:38Z dc.date.issuedpl
2017 dc.date.openaccess
0 dc.description.accesstime
w momencie opublikowania dc.description.numberpl
137 dc.description.physicalpl
24-28 dc.description.version
ostateczna wersja wydawcy dc.identifier.issnpl
1233-0477 dc.identifier.uri
http://ruj.uj.edu.pl/xmlui/handle/item/40553 dc.identifier.weblinkpl
http://www.didaskalia.pl/137_jakubowa.htm dc.languagepl
pol dc.language.containerpl
pol dc.rights*
Dodaję tylko opis bibliograficzny dc.rights.licence
Inna otwarta licencja dc.rights.uri*
dc.share.type
inne dc.subject.enpl
Eiswind/Hideg szelek dc.subject.enpl
Wo ist Osten? Monologue No. 1 dc.subtypepl
Translation dc.titlepl
Wiedeń patrzy na Wschód dc.title.alternativepl
Vienna looks East dc.title.journalpl
Didaskalia dc.typepl
JournalArticle dspace.entity.type
Publication Affiliations
Wydział Polonistyki
Marszałek, Agnieszka
No affiliation
Jakubowa, Natalia
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