Teatr jest kreacją środowiska

2016
journal article
article
dc.abstract.enThe main subject of the interview with Eugenio Barba is his theatre laboratory - Nordisk Teaterlaboratorium/Odin Teatret, in which the artist works with young people. Barba tells about the key turning points in the history of Odin Teatret and the viewers often accompanying the activities of the laboratury. Asked about the functioning of Odin Teatret within the present political and social situation, Barba replies that this context does not influence the course or character of his work. In reply to the final question, concerning the present validity of Barba's category of the Third Theatre, created in the nineties, the director mentions Komuna//Warszawa and Studium Teatralne, whose activities do not fit the category of avant-garde theatre and can be described as examples of the Third Theatre.pl
dc.affiliationWydział Polonistykipl
dc.contributor.authorBarba, Eugeniopl
dc.contributor.authorKasprzak, Martyna - 254404 pl
dc.date.accessioned2016-12-03T11:28:57Z
dc.date.available2016-12-03T11:28:57Z
dc.date.issued2016pl
dc.description.additionalRozmowa przeprowadzona z Eugenio Barbą 21 maja 2016, podczas wizyty reżysera w Warszawie w ramach wydarzenia "Kraina Latających Drzew"pl
dc.description.number135pl
dc.description.physical20-24pl
dc.identifier.issn1233-0477pl
dc.identifier.urihttp://ruj.uj.edu.pl/xmlui/handle/item/33221
dc.languagepolpl
dc.language.containerpolpl
dc.rights.licenceBez licencji otwartego dostępu
dc.subject.enEugenio Barbapl
dc.subject.plEugenio Barbapl
dc.subtypeArticlepl
dc.titleTeatr jest kreacją środowiskapl
dc.title.alternativeTheatre is created by the environmentpl
dc.title.journalDidaskaliapl
dc.typeJournalArticlepl
dspace.entity.typePublication
dc.abstract.enpl
The main subject of the interview with Eugenio Barba is his theatre laboratory - Nordisk Teaterlaboratorium/Odin Teatret, in which the artist works with young people. Barba tells about the key turning points in the history of Odin Teatret and the viewers often accompanying the activities of the laboratury. Asked about the functioning of Odin Teatret within the present political and social situation, Barba replies that this context does not influence the course or character of his work. In reply to the final question, concerning the present validity of Barba's category of the Third Theatre, created in the nineties, the director mentions Komuna//Warszawa and Studium Teatralne, whose activities do not fit the category of avant-garde theatre and can be described as examples of the Third Theatre.
dc.affiliationpl
Wydział Polonistyki
dc.contributor.authorpl
Barba, Eugenio
dc.contributor.authorpl
Kasprzak, Martyna - 254404
dc.date.accessioned
2016-12-03T11:28:57Z
dc.date.available
2016-12-03T11:28:57Z
dc.date.issuedpl
2016
dc.description.additionalpl
Rozmowa przeprowadzona z Eugenio Barbą 21 maja 2016, podczas wizyty reżysera w Warszawie w ramach wydarzenia "Kraina Latających Drzew"
dc.description.numberpl
135
dc.description.physicalpl
20-24
dc.identifier.issnpl
1233-0477
dc.identifier.uri
http://ruj.uj.edu.pl/xmlui/handle/item/33221
dc.languagepl
pol
dc.language.containerpl
pol
dc.rights.licence
Bez licencji otwartego dostępu
dc.subject.enpl
Eugenio Barba
dc.subject.plpl
Eugenio Barba
dc.subtypepl
Article
dc.titlepl
Teatr jest kreacją środowiska
dc.title.alternativepl
Theatre is created by the environment
dc.title.journalpl
Didaskalia
dc.typepl
JournalArticle
dspace.entity.type
Publication
Affiliations

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