The article presents the cultural-linguistic view of mountains inscribed into Jerzy Harasymowiczs and other poems of not so well-known poets worshipping the landscape of The Beskidy and Bieszczady mountains. My article tries to approach topics connected with the mountains and inscribe them into the context of popular culture. Harasymowiczs poems receive a kind of "second life" thanks to music arrangements elaborated by bands taking part in a word-musical project "W górach jest wszystko, co kocham..."/ "In the mountains there is everything I love..."/. Ethnolin- guistic methodology constitutes the basis of my analysis. The linguistic view of mountain nature in the considered poems is accomplished in two ways. The first one is connected with the look of the mountains (reconstructed by a system of facets) whereas the second one focuses on two points of reference - the mountains and man and the relationship between them. The shape of conceptualization and valuation is determined by the point of view and the perspective that the "ego" has taken. The presence of a human being in the mountains extends the semantic and connotation held connected with the word "mountain" to the issues associated with metaphysical, sacral and emotional spheres as well as to cultural elements.