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After migrations : performing arts as contact zones
mobilnośc kulturowa
strefy kontaktu
kolektyw artystyczny Slavs and Tatars
muzea jako strefy kontaktu
"Nazywam się czerwień" Orhana Pamuka
strefy kontaktu w sztukach performatywnych
cultural mobility
contact zones
art collective Slavs and Tatars
museums as contact zones
Orhan Pamuks's "My Name is Red"
contact zones in performing arts
The papers aims to adopt a concept of contact zones, introduced by a linguist Mary Louis Pratt and developed by Donna Haraway in her "When Species Meet" (2007), as a useful method to analyze recent transcultural phenomena in post-migrant performative cultures. In order to demonstrate the concept in action, I intend to take a closer look at the work of the art collective Slavs and Tatars, founded in 2006. Slavs and Tatars’ exhibitions, books, and performance lectures focus on Eurasian cultures, especially on frictions between European-Christian and Arab-Islamic worlds that Hans Belting ascribes respectively to Florence and Bagdad in his inspiring book on Renaissance art and Arab science. In the original German version he uses a telling phrase to describe those frictions: “eine westöstliche Geschichte des Blicks”. Significantly this different attitude towards images is taken up in many Slavs and Tatars’ works as one among many important contact zones in Eurasian cultural traditions and todays worlds.
dc.abstract.en | The papers aims to adopt a concept of contact zones, introduced by a linguist Mary Louis Pratt and developed by Donna Haraway in her "When Species Meet" (2007), as a useful method to analyze recent transcultural phenomena in post-migrant performative cultures. In order to demonstrate the concept in action, I intend to take a closer look at the work of the art collective Slavs and Tatars, founded in 2006. Slavs and Tatars’ exhibitions, books, and performance lectures focus on Eurasian cultures, especially on frictions between European-Christian and Arab-Islamic worlds that Hans Belting ascribes respectively to Florence and Bagdad in his inspiring book on Renaissance art and Arab science. In the original German version he uses a telling phrase to describe those frictions: “eine westöstliche Geschichte des Blicks”. Significantly this different attitude towards images is taken up in many Slavs and Tatars’ works as one among many important contact zones in Eurasian cultural traditions and todays worlds. | pl |
dc.affiliation | Wydział Polonistyki : Katedra Performatyki | pl |
dc.contributor.author | Sugiera, Małgorzata - 132155 | pl |
dc.contributor.editor | Amine, Khalid | pl |
dc.contributor.editor | Akabli, Jamal | pl |
dc.date.accessioned | 2020-09-29T07:21:00Z | |
dc.date.available | 2020-09-29T07:21:00Z | |
dc.date.issued | 2020 | pl |
dc.description.additional | Recenzowane materiały z konferencji: "Across borders and tresholds : performing migrations", dn. 23-26 listopada 2019, Tangier, Maroko | pl |
dc.description.physical | 211-225 | pl |
dc.description.publication | 1 | pl |
dc.identifier.bookweblink | https://ruj.uj.edu.pl/xmlui/handle/item/246717 | pl |
dc.identifier.isbn | 978-9920-32-069-6 | pl |
dc.identifier.project | ROD UJ / O | pl |
dc.identifier.uri | https://ruj.uj.edu.pl/xmlui/handle/item/246717 | |
dc.language | eng | pl |
dc.language.container | eng | pl |
dc.participation | Sugiera, Małgorzata: 100%; | pl |
dc.pbn.affiliation | Dziedzina nauk humanistycznych : nauki o kulturze i religii | pl |
dc.pubinfo | Marocco : The Faculty of Letters and Human Sciences at Abdelmalek University & the International Centre for Performance Studies | pl |
dc.rights | Dodaję tylko opis bibliograficzny | * |
dc.rights.licence | bez licencji | |
dc.rights.uri | * | |
dc.sourceinfo | liczba autorów 15; liczba stron 262; liczba arkuszy wydawniczych 18,5; | pl |
dc.subject.en | cultural mobility | pl |
dc.subject.en | contact zones | pl |
dc.subject.en | art collective Slavs and Tatars | pl |
dc.subject.en | museums as contact zones | pl |
dc.subject.en | Orhan Pamuks's "My Name is Red" | pl |
dc.subject.en | contact zones in performing arts | pl |
dc.subject.pl | mobilnośc kulturowa | pl |
dc.subject.pl | strefy kontaktu | pl |
dc.subject.pl | kolektyw artystyczny Slavs and Tatars | pl |
dc.subject.pl | muzea jako strefy kontaktu | pl |
dc.subject.pl | "Nazywam się czerwień" Orhana Pamuka | pl |
dc.subject.pl | strefy kontaktu w sztukach performatywnych | pl |
dc.subtype | Article | pl |
dc.title | After migrations : performing arts as contact zones | pl |
dc.title.alternative | Po migracjach : sztuki performatywne jako strefy kontaktu | pl |
dc.title.container | Across borders and tresholds : performing in zones of contact and friction | pl |
dc.type | BookSection | pl |
dspace.entity.type | Publication |