The article discusses poetics of realism in the works of Debora Vogel, while focusing on the selection of her poems entitled "Akacje kwitną. Montaże" (Acacias in Blossom. Montages). The author presents the realistic element within Debora Vogel's prose and points out the basic principles standing behind her aesthetics: constructivism, simultanism, and new realism. The focus is primarily on the avantgarde elements of Vogel's prose: the modernist characteristics of her writing. A special attention is given to literary montage and to the notion of realism as the basic mode of representation within the analysed genre. Realism-oriented approach visible in Debora Vogel's prose goes hand in hand with characteristic features of montage as a literary genre that answers to the dominant worldview and to the changes in aesthetic theory that are visible in three stages of Vogel's realism-related search (constructivism, simultanism, new realism). The conclusion is that the interpretation of literary works by Debora Vogel has to concern twoissues: individual and autonomous character of her writing on the one hand and its connection with the multicultural, modernist project of the Polish interwar literature on the other, as it is in this cultural and literary context that herrealism-oriented practices are performed.