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Granice logiki : "Antygona" w interpretacji Heideggera i Brechta
dramat współczesny
tragedia antyczna
filozofia teatru
teatr epicki
teatr polityczny
performatywność
contemporary drama
Greek tragedy
theatre philosophy
epic theatre
political theatre
performativity
Basing on Aristotelian logic, Freddie Rokem undertakes an analysis of one of the best known and most inspiring plays in the world - Sophocles' Antigone. The author focues on the interpretation proposed by Martin Heidegger and the adaptation by Bertolt Brecht (both based on Hölderlin’s translation). He also presents the circumstances in which both interpretations were born and their strong connection to the socio-political situation of Germany during the Second World War and right after its end. The author is particularly interested in syllogism and other logical structures in the speeches of the characters which define a human being in situations of conflict.
dc.abstract.en | Basing on Aristotelian logic, Freddie Rokem undertakes an analysis of one of the best known and most inspiring plays in the world - Sophocles' Antigone. The author focues on the interpretation proposed by Martin Heidegger and the adaptation by Bertolt Brecht (both based on Hölderlin’s translation). He also presents the circumstances in which both interpretations were born and their strong connection to the socio-political situation of Germany during the Second World War and right after its end. The author is particularly interested in syllogism and other logical structures in the speeches of the characters which define a human being in situations of conflict. | pl |
dc.affiliation | Wydział Polonistyki : Katedra Performatyki | pl |
dc.contributor.author | Rokem, Freddie | pl |
dc.contributor.translator | Borowski, Mateusz - 127413 | pl |
dc.contributor.translator | Sugiera, Małgorzata - 132155 | pl |
dc.date.accession | 2016-03-21 | pl |
dc.date.accessioned | 2016-03-24T07:24:14Z | |
dc.date.available | 2016-03-24T07:24:14Z | |
dc.date.issued | 2015 | pl |
dc.description.number | 125 | pl |
dc.description.physical | 87-94 | pl |
dc.description.publication | 0,93 | pl |
dc.identifier.issn | 1233-0477 | pl |
dc.identifier.uri | http://ruj.uj.edu.pl/xmlui/handle/item/22853 | |
dc.identifier.weblink | http://www.didaskalia.pl/125_spis.htm | pl |
dc.language | pol | pl |
dc.language.container | pol | pl |
dc.rights.licence | bez licencji | |
dc.subject.en | contemporary drama | pl |
dc.subject.en | Greek tragedy | pl |
dc.subject.en | theatre philosophy | pl |
dc.subject.en | epic theatre | pl |
dc.subject.en | political theatre | pl |
dc.subject.en | performativity | pl |
dc.subject.pl | dramat współczesny | pl |
dc.subject.pl | tragedia antyczna | pl |
dc.subject.pl | filozofia teatru | pl |
dc.subject.pl | teatr epicki | pl |
dc.subject.pl | teatr polityczny | pl |
dc.subject.pl | performatywność | pl |
dc.subtype | Translation | pl |
dc.title | Granice logiki : "Antygona" w interpretacji Heideggera i Brechta | pl |
dc.title.alternative | The boundaries of logic : “Antigone” interpreted by Heidegger and Brecht | pl |
dc.title.journal | Didaskalia | pl |
dc.title.volume | Castellucci: Przewodnik 2. Inna Kontrkultura. My? Mieszczanie? | pl |
dc.type | JournalArticle | pl |
dspace.entity.type | Publication |